1 00:00:05,405 --> 00:00:07,607 Is your husband still off climbing? 2 00:00:07,674 --> 00:00:14,614 KRISTEN: Yes. Another few weeks. You take care of the kids, you pay the bills, you have the full-time job, and he's, what, off in Nepal. 3 00:00:32,265 --> 00:00:34,300 KORECKI: You took these photos? 4 00:00:34,367 --> 00:00:40,573 I did. And did our Vatican guests know you took them? 5 00:00:40,640 --> 00:00:42,108 No. 6 00:00:43,777 --> 00:00:45,445 And what do they mean? 7 00:00:45,512 --> 00:01:04,664 This is a map of evil. These are sigils, um, occult symbols representing a demonic hierarchy on Earth. KORECKI: And what do you want with it? You and I talked about evil becoming more organized, um, using technology, social media. The 60? 8 00:01:04,664 --> 00:01:06,000 Right. The 60? 9 00:01:06,000 --> 00:01:19,279 Right. There are 60 sigils here. Some of them we've already encountered. Leland Townsend, Dwight Ferrell, the murderer of the three children. And the others? 10 00:01:20,547 --> 00:01:25,285 That's why we've come to you. We want to find the rest. 11 00:01:26,553 --> 00:01:29,422 Does your psychological adviser agree with all this? 12 00:01:30,857 --> 00:01:41,701 Look, when you talk about demonic evil, I'm out of my depth, but psychopaths seem to be aware of this document and organizing around it. These symbols seem to inspire them. 13 00:01:44,437 --> 00:01:48,708 All right. I'm going to approve some limited focus on this. 14 00:01:51,177 --> 00:01:53,379 Which of these symbols are you looking at next? 15 00:01:53,446 --> 00:02:03,723 Uh... This sigil was used in some recent paintings. The artist is local. I was going to talk to him. 16 00:02:08,328 --> 00:02:10,463 Good. Who is it? 17 00:02:14,601 --> 00:02:16,336 Your father? 18 00:02:17,670 --> 00:02:27,881 I'll wait outside. No. I'm fine with you going, but I want Kristen to go with you. That's all right, I'll just wait in the car. I don't need her to go with me. That's all right, I'll just wait in the car. I don't need her to go with me. David, Kristen, you are both going. Now... 19 00:02:29,215 --> 00:02:35,688 One question: if he is one of the 60, what's your plan? 20 00:02:51,237 --> 00:02:53,306 So what is our plan? 21 00:02:53,373 --> 00:03:03,249 No idea. I'll stay out of your way. You talk to your dad. So I can find out whether he's sold his soul to the devil? 22 00:03:03,316 --> 00:03:14,193 No, he probably just saw the symbol somewhere. Just to warn you, my dad can be... a bit of a bastard. When's the last time you saw him? 23 00:03:14,260 --> 00:03:17,196 Five years ago. 24 00:03:18,565 --> 00:03:26,406 Oh. It's d'Artagnan. So are you officially abandoning us for reality TV? 25 00:03:26,472 --> 00:03:40,253 Yeah. That's right, I found my new calling. (over speaker): Let's try it again. Okay. Uh, look, it looks like this is gonna take forever, so I'm probably not gonna be able to meet you guys. That's all right. We're heading upstate. Is your friend there? 26 00:03:40,320 --> 00:03:44,357 No, luckily. Do you know what you'd say to her? 27 00:03:44,424 --> 00:03:53,766 (sighs): No. Probably just, "Nice seeing you. Goodbye." Oh, you should call her again. No, three times is enough. 28 00:03:54,901 --> 00:04:03,843 Oh, okay. I-I got to go. You guys, uh, try not to get into too much trouble, and don't kill any demons without me. All right. (chuckles) Promise. 29 00:04:05,311 --> 00:04:55,428 So who's the friend? Oh, it's just an actress from the reality TV show he was on, Vanessa. She gave him her number, and he called her three times, but she never called back. Ouch. Everything we do, he'll check and recheck because we don't run from the truth. BEN: Yeah, I'm skeptical because this show will need to convince me that there are ghosts and demons. You got to do it in sync with your lips. Yeah, but that's not what I said. We had to trim for length. That's not shorter, that's stupider. I said something about your show being a piece of crap. Look, we're trying to create a story arc here, and we need to start with you as dismissive of ghosts, not the show. All right? Let's try it one more time. We don't want to be here all night. Yeah, I don't want to be here all night, either, but this is a lie. It's TV. Doesn't have to be exactly true. 30 00:04:58,831 --> 00:05:02,035 Hey. Look, let's try it again, okay? 31 00:05:04,437 --> 00:05:23,856 Everything we do, he'll check and recheck because we don't run from the truth. Yup, I'm skeptical because this show will need to convince me that there are ghosts and demons. You sound pissed. Let's try it again, not so angry. Sure. Why not? 32 00:05:39,706 --> 00:05:54,887 (sighs) God, it's so great here. Not another house for ten miles. It's like the start of a horror movie. Oh, well, bad cell phone coverage. Guess all we need is car trouble, and we'll have won horror movie bingo. LEON: Son! 33 00:05:56,556 --> 00:06:08,434 Say it ain't so, say it ain't so. My son has returned. (chuckles) Dad. Hey. Um, this is Kristen. Kristen, hello. Hi. Kristen, hello. Hi. Welcome to The Gully. 34 00:06:11,838 --> 00:06:17,443 I want to paint a T-shirt for you. Something... red. 35 00:06:18,644 --> 00:06:26,686 Listen, we're having a party. Come on in. I want you to stay the night, introduce you to some people. We have to get back. Oh, no, you don't. Humor your old man, okay? 36 00:06:26,753 --> 00:06:30,590 I want you to meet my wife. You got... you got married? 37 00:06:30,656 --> 00:06:38,965 Yeah. Few years back. You know how much I love marriage. Tell me, are you convincing my son to not become a priest? 38 00:06:39,031 --> 00:06:45,471 Dad. Oh. (chuckles) I'll tell you right now: I want my seed spread far and wide. Is he talking about his seed again? Hey, I'm in my 60s. What else am I gonna do? 39 00:06:48,007 --> 00:06:57,950 This is Esther, the new Mrs. Acosta. Ah, it's so great to finally meet you. I want to hug you, but I'm still drying. Drying? 40 00:06:58,017 --> 00:07:00,086 KRISTEN: Wow. Did you make that? 41 00:07:00,153 --> 00:07:07,093 Yeah. I usually do it on other people, but I decided to make myself the canvas for once. How far along, Dad? 42 00:07:07,160 --> 00:07:08,795 Six months. 43 00:07:09,896 --> 00:07:20,606 You always wanted a brother. CORI: David Acosta. You are welcome. LEON: And this is Cori. Someone's got to keep your father in line. Why not a priest? 44 00:07:20,673 --> 00:07:28,815 I love what Pope Francis said about global warming. This is David's girlfriend, Kristen. Ah! Oh, I'm actually just a friend... Cori's my other wife. (chuckles) Your...? 45 00:07:28,815 --> 00:07:34,053 CORI: A throuple. Or, if we were Mormons, a marriage. 46 00:07:35,655 --> 00:07:50,002 Come. Come inside. I could use a hand with the punch. (gasps) You have to stay for the Root Ceremony. Yes. We're calling on the ancestors. Yes. We're calling on the ancestors. Everybody just suddenly started bleeding. Dougie is bleeding. Oh, my God. What is going on? 47 00:07:50,069 --> 00:07:52,004 Seriously? 48 00:07:52,071 --> 00:07:53,739 Yeah, that was good. 49 00:07:55,074 --> 00:08:04,817 Makes me look like an idiot. It helps with the story. Anyway, that's the last one. We're done. BEN: Good. We're done. BEN: Good. Hey. How have you been? 50 00:08:04,884 --> 00:08:06,519 Good. How about you? 51 00:08:06,586 --> 00:08:10,089 Fine. Good. Okay. Well, see you. 52 00:08:12,225 --> 00:08:19,932 Hey, Ben. Yeah. I'm not sure what happened. What do you mean? 53 00:08:19,999 --> 00:08:21,834 Just so you know, one month is too long. 54 00:08:33,613 --> 00:08:33,613 What is that supposed to mean? 55 00:08:33,613 --> 00:08:35,681 What? 56 00:08:35,748 --> 00:08:37,850 You said one month is too long. What does that mean? 57 00:08:37,850 --> 00:08:39,852 Tony, can you turn off the internal mic? 58 00:08:39,919 --> 00:08:49,795 I thought we connected. I thought we connected. That's why I gave you my number. Yeah, that is why I called it three times. No, you didn't. Yes, I did. Called it the next day. I called it the week after. I called it the week after. Then who were you calling? I called it the week after. I called it the week after. Then who were you calling? 59 00:08:49,862 --> 00:09:03,643 'Cause you weren't calling me. Okay, I get it. You're an actress, and... this whole thing is a performance, and, uh... I wrote my number on your hand. And I called it. I didn't get it. We got to get to work here. Shut up! Show me the number you were calling. 60 00:09:05,077 --> 00:09:22,895 There. That is the number you wrote on my hand. That's not my number. Those numbers are transposed. That is the number that you wrote on my hand. (chuckles) This was a bad beginning. This is what I suggest: just give me an hour to finish this ADR, and then... we should talk. Okay? Please? 61 00:09:28,901 --> 00:09:31,737 Glad you're here. So, a baby, huh? 62 00:09:31,804 --> 00:09:44,183 Yeah, but you'll always be my firstborn. Bouncing baby boy with the fat cheeks. (chuckles) Hey, don't be jealous, now. Congratulate me. 63 00:09:46,052 --> 00:09:48,788 Congratulations. 64 00:09:51,724 --> 00:09:53,693 What's this, Dad? 65 00:09:55,728 --> 00:09:59,732 New painting. Not quite sure what it is yet. 66 00:10:00,800 --> 00:10:05,204 No, this. This symbol. I don't know. You like it? 67 00:10:05,271 --> 00:10:12,044 Seen it in your books, too. I didn't know you had my books. This some Catholic thing? 68 00:10:12,111 --> 00:10:41,874 I'm just trying to understand your process. Look, I know we, uh... hit that fork in the road. You danced off towards religion. I got swallowed up with art. What you feel when you pray or get a whiff of that incense, I feel right here, with color. The way Saint John of the Cross talks about mysticism, that's how I feel about painting. Someone... paints through me. My hand is divinely guided. 69 00:10:43,042 --> 00:10:44,310 By who? 70 00:10:44,377 --> 00:10:52,118 I don't know. Spirit, perfect muse. All I know is, when I'm painting, it's crap, but when somebody else paints through me... 71 00:10:53,886 --> 00:11:02,128 ...that's when it all comes together. How do you know it's not some... bad spirit... (chuckles) painting through you? 72 00:11:02,194 --> 00:11:20,112 Now you're talking like a priest. There's no good or bad in art. The more years you put on you, you'll see. Duality doesn't exist; there's just what is. This symbol, it didn't appear in your paintings until three years ago. What happened three years ago? 73 00:11:20,179 --> 00:11:26,886 I don't know. I met Esther and Cori. They brought new life to me. 74 00:11:29,789 --> 00:11:31,724 So, how does a throuple work? 75 00:11:31,791 --> 00:11:42,034 (both chuckle) With great delicacy. Um, Tuesdays and Thursdays are ladies only. And the rest of the time it's first come, first served. Nobody ever gets jealous? 76 00:11:42,101 --> 00:11:48,340 Well... maybe sometimes. (chuckles) But we're looking for a third, if you want. 77 00:11:49,909 --> 00:11:58,317 I'm sorry, I'm feeling a little light-headed. Sangria. When it's good, it's really good. KRISTEN: Did you put something in it? 78 00:11:58,384 --> 00:12:05,424 Love. A lot of love. $750 an ounce of hallucinogenic love. Mm... 79 00:12:08,527 --> 00:12:10,396 What's that? 80 00:12:10,463 --> 00:12:13,399 Oh, it's my pottery. Do you like it? 81 00:12:13,466 --> 00:12:15,134 What's that symbol? 82 00:12:15,201 --> 00:12:19,939 I don't know. Something I saw and liked. Why? You don't like it? 83 00:12:21,240 --> 00:12:29,482 I saw the same thing in Leon's paintings. Yeah. He takes it from Esther's pottery. The power of symbols. 84 00:12:54,840 --> 00:12:58,777 Hello, girls! I'm home! 85 00:13:03,315 --> 00:13:05,317 Anybody home? 86 00:13:39,084 --> 00:13:40,519 Kristen? 87 00:13:51,030 --> 00:13:57,836 Oh... Oh. Hey. Hey. Hi. Yeah. Sheryl. Yep. See you inside. Yep. Okay, yeah. Yeah. See you in there. 88 00:14:01,106 --> 00:14:12,451 Just please stop hanging out with my friends. It's not my fault they like me. (overlapping chatter) No, I didn't. And also, mind your own business and be quiet. (overlapping chatter continues) (chatter stops) 89 00:14:14,053 --> 00:14:15,254 Too much beard? 90 00:14:15,321 --> 00:14:24,863 ALL: Daddy! Oh-ho-ho, my God, come to me! Dad, you're finally home! Oh-ho-ho, my God, come to me! Dad, you're finally home! Oh, I am home! Okay, Mommy didn't tell us. I know. I was gonna surprise you. Why I didn't tell Mom. Where is Mom? 91 00:14:24,930 --> 00:14:31,070 At work. Lynn-bo, come here, babe. Come here. Come here. (grunts) (girls giggling) 92 00:14:33,138 --> 00:14:36,609 Mm. I know I've been gone a while. Did you miss me? 93 00:14:36,675 --> 00:14:38,043 At least a little bit? 94 00:14:38,110 --> 00:14:42,581 You've never been gone this long before. But I'm here now. Dad... We missed you so much. Was it hard, climbing...? 95 00:14:42,648 --> 00:14:44,316 It was a little hard. Do you still have all your toesies? 96 00:14:44,383 --> 00:14:46,085 I have three toes left. Are they presents for us? 97 00:14:46,151 --> 00:14:48,087 Yes, they are. From the snows of Tibet. 98 00:14:49,488 --> 00:14:54,093 You can open one each. One each. Whoo-hoo! Yeah! I call this one! 99 00:14:55,227 --> 00:14:59,031 How cool! Look at this... Mine's better than yours. No, mine's... 100 00:15:14,647 --> 00:15:21,253 ♪ 'Cause she took everything... ♪ Are you drinking the sangria? 101 00:15:21,320 --> 00:15:21,320 Am I? 102 00:15:21,320 --> 00:15:26,191 Yeah. Yes. How many cups? 103 00:15:26,258 --> 00:15:29,161 Two. Why? 104 00:15:30,396 --> 00:15:35,134 We're gonna take an Uber back. It's spiked with psilocybin. 105 00:15:36,335 --> 00:15:40,039 Damn. What did he say about the sigil? 106 00:15:40,105 --> 00:15:47,379 He said he had no idea what it means. He said he just started painting it. Do you believe him? 107 00:15:47,446 --> 00:15:55,587 No. He told me this was just sangria, too. Esther said the sigil came from her. 108 00:15:59,258 --> 00:16:07,733 She introduced my dad to the Root Ceremony. It's a weekly séance to conjure up the ghosts of their ancestors. 109 00:16:09,201 --> 00:16:11,437 I think we should keep an eye on her. 110 00:16:17,409 --> 00:16:22,548 VANESSA: There are no cameras. No one's filming this. Okay, your team did that. 111 00:16:24,283 --> 00:16:27,653 Don't be scared, Ben. I'm with you. (high-pitched): Vanessa, are you messing with me? 112 00:16:27,720 --> 00:16:29,988 What was that, Tony? 113 00:16:30,055 --> 00:16:36,428 I was just clarifying a line. I didn't say that. You could have. But I didn't. Yeah, but why does my voice sound weird? 114 00:16:36,495 --> 00:16:41,300 Oh, come on! Tony, we talked about this. What? 115 00:16:41,300 --> 00:16:42,000 You're pitching What? 116 00:16:42,000 --> 00:16:53,545 You're pitching Ben's voice up an octave to make him sound wimpy. No, I'm not. I'm separating the voice from the background. Which you always do when it's a person of color. You're giving Ben the scaredy-cat edit... Vanessa, I'm gonna pretend you didn't say that. Oh, then pretend this. 117 00:16:55,314 --> 00:16:56,382 What the hell? 118 00:16:56,448 --> 00:17:05,391 There goes my ADR. There goes Ben's. That's eight hours of work. You are replaceable, Vanessa! Then replace me. And let's see what HR says about it. 119 00:17:08,594 --> 00:17:10,695 (sighs) Want to come over? 120 00:17:10,762 --> 00:17:12,196 Sure. 121 00:17:19,738 --> 00:17:40,225 Our ancestors are here. Their ghosts are among us. Let us lift up their spirits under those most high. We honor our fallen, remember our lost, and open ourselves up to their guidance. Let us call up their names to power! 122 00:17:44,229 --> 00:18:14,460 (rhythmic clapping) MAN: Call upon their names. Speak on their power. Join us here on this divine day! OTHERS: To walk among us! No fear in our hearts in this divine hour. OTHERS: To walk among us! ESTHER: Our divine guides! OTHERS: We honor you! ESTHER: Our divine guides! OTHERS: We honor you! LEON: We keep time now for the many who can't. As you feel the spirit of peace rise within you, join me now. 123 00:18:15,828 --> 00:18:27,306 (rhythmic clapping) LEON: With our hands! OTHERS: We honor you! LEON: And with our feet! OTHERS: We honor you! (squealing) My turn, my turn, me next! My turn, my turn, my turn! ANDY: Okay, wait. 124 00:18:28,740 --> 00:18:31,844 Wait, wait, wait. I got to call your mom. I thought she'd be home by now. Can we talk? 125 00:18:31,844 --> 00:18:33,745 Sure. Nothing more till I get back, okay? 126 00:18:35,747 --> 00:18:40,219 No, no, not without me. (girls chattering excitedly) 127 00:18:43,755 --> 00:18:46,158 So, how fast are you planning to leave this time? 128 00:18:46,225 --> 00:18:47,426 Who's your new boyfriend, Sheryl? 129 00:18:47,493 --> 00:18:57,135 That's none of your business. I don't know, you know? When we, uh, clean the sheets out there, it's gonna be someone's business. Okay. This is what I need from you. Oh, you need something from me? 130 00:18:57,202 --> 00:19:12,000 Yeah, I don't want Kristen to know that I was back there. Getting laid. that I was back there. Getting laid. (chuckling) Of course, that Andy charm. Yeah. The frat boy way of looking at the world. Sorry, didn't you need something, Sheryl? Uh, yeah, yeah, I just... would rather Kristen not know that I was back there with my boyfriend. Why not? 131 00:19:12,000 --> 00:19:14,786 that I was back there with my boyfriend. Why not? 132 00:19:14,853 --> 00:19:18,000 Because... I don't think she likes him. Why? 133 00:19:18,000 --> 00:19:18,657 I don't think she likes him. Why? 134 00:19:18,724 --> 00:19:23,395 Because she would rather I was single. Okay. So you want me to keep it secret? 135 00:19:23,462 --> 00:19:28,834 Exactly. Okay. So why is Lynn upset with me? 136 00:19:30,636 --> 00:19:32,271 Oh, my God. 137 00:19:33,338 --> 00:19:34,573 Why do you think, Andy? 138 00:19:34,640 --> 00:19:48,253 You've been away for three months, and your wife has had to deal with a lot: losing her job, getting a new one, and Laura's heart possibly stopping at any minute. That's why I came home early. What a prince you are. Yeah, thanks. So? 139 00:19:48,253 --> 00:19:57,963 So, uh, yes, sure, I'll keep your secret. I think it's probably good you're getting laid now and then. If only to remove the stick up your ass. Always such a joy to talk to you, Andy. Isn't it, though? 140 00:19:57,963 --> 00:20:00,000 Yeah. Who you calling? 141 00:20:00,000 --> 00:20:00,000 Isn't it, though? 142 00:20:00,000 --> 00:20:00,198 Yeah. Who you calling? 143 00:20:00,265 --> 00:20:05,404 Kristen. But I think her cell's off. Okay, remember: shh. (whispers): Yeah. 144 00:20:12,511 --> 00:20:16,415 I haven't been high in 15 years. 145 00:20:18,050 --> 00:20:21,353 I haven't been high in 15 days. 146 00:20:23,989 --> 00:20:36,535 ♪ I see the way she move, sent a rush to my body, uh-huh ♪ ♪ And I want that and I like that, girl, gimme, uh-huh ♪ ♪ And the night don't end till we say we're ready ♪ 147 00:20:38,604 --> 00:20:40,739 ♪ I don't want no girl unless she dark like my coffee ♪ 148 00:20:41,673 --> 00:20:44,876 Do you know why this moment's special? 149 00:20:44,943 --> 00:20:47,679 Why? 150 00:20:47,746 --> 00:20:50,349 Because it'll never happen again. 151 00:20:53,819 --> 00:20:55,954 ♪ And I like that, girl, gimme, uh-huh. ♪ 152 00:20:59,424 --> 00:21:03,962 (laughing): Wait. Hold on. Th-Th-They don't dress like this all the time? 153 00:21:04,029 --> 00:21:11,370 No. It's Comic-Con. No. Okay. No. It's Comic-Con. No. Okay. People even thought I was a Vanessa copy. Yeah. They almost didn't let me into a panel. Wow. Well, she looks more like you than you do, sure. 154 00:21:12,000 --> 00:21:12,000 Wow. Well, she looks more like you than you do, sure. 155 00:21:18,844 --> 00:21:21,446 Do you want to kiss me? 156 00:21:21,513 --> 00:21:22,948 I do. 157 00:21:32,791 --> 00:21:35,727 What? (exhales) I'm sorry. Uh... 158 00:21:37,396 --> 00:21:38,797 You-you didn't really want me to call you, did you? 159 00:21:38,864 --> 00:21:42,534 You, you-you wrote a fake number. Oh, my God. You wrote a fake number on my hand? 160 00:21:42,534 --> 00:21:50,909 No, no. I didn't. Oh, what, then-then you just forgot your number? You just... No. I... (sighs) your number? You just... No. I... (sighs) Don't judge me, okay? 161 00:21:50,976 --> 00:21:56,014 You're in a relationship. Oh... No. No. Then? 162 00:21:59,384 --> 00:22:10,996 My sister. She gave you the wrong number. She didn't want us to be together. (chuckles) We were alone. 163 00:22:16,601 --> 00:22:20,539 (clears throat) I'm never really alone. 164 00:22:22,407 --> 00:22:30,415 My sister's grafted to my body. Here. Kind of like a phantom limb. 165 00:22:33,485 --> 00:22:43,428 My sister died when we were little, and she's been attached to me ever since. To my side. (exhales) She's, uh, very protective. 166 00:22:48,500 --> 00:22:51,737 I should, um... Yeah. 167 00:22:57,509 --> 00:22:59,611 Want to dance? 168 00:22:59,678 --> 00:23:00,912 I do. 169 00:23:08,520 --> 00:23:11,523 Aren't you afraid someone's gonna step on your feet? 170 00:23:11,590 --> 00:23:13,725 (laughing): No. 171 00:23:20,098 --> 00:23:24,669 I'm David. Annie. Annie what? 172 00:23:24,736 --> 00:23:25,670 Commerce. 173 00:23:28,073 --> 00:23:30,142 That name sounds made-up. 174 00:23:32,077 --> 00:23:33,879 Do you like the ceremony? 175 00:23:33,945 --> 00:23:39,618 I don't know. I don't think I understand it. Do you believe in ghosts? 176 00:23:39,684 --> 00:23:41,620 No, I believe... 177 00:23:43,688 --> 00:23:53,198 Sorry, my brain's a little foggy. I believe there is a life after death. So, I guess I do believe in ghosts. 178 00:23:54,566 --> 00:24:02,774 ♪ You can do what you please... ♪ I wanted to see your eyes. And? 179 00:24:02,841 --> 00:24:07,212 They're your father's. I'd better go. Why? 180 00:24:07,279 --> 00:24:09,948 Where? 181 00:24:10,015 --> 00:24:11,950 The barn. 182 00:24:24,596 --> 00:24:27,599 I love fireflies. 183 00:24:35,874 --> 00:24:38,210 Hello? 184 00:24:48,920 --> 00:24:51,489 Hello? 185 00:24:57,295 --> 00:25:02,133 (panting) Hello? 186 00:25:04,035 --> 00:25:08,240 (shrieking) Are you all right? 187 00:25:33,932 --> 00:25:35,133 Esther? 188 00:25:41,873 --> 00:25:52,550 (groaning) Oh, my God. (groaning) Oh, my God. I got you. I got you. You're all right. Just breathe. (breathing sharply) Help! Help! We need help out here! 189 00:25:53,852 --> 00:25:57,822 (panting, groaning) (panting) (panting, groaning) (panting) Hold on. Just breathe. Just breathe... 190 00:26:00,000 --> 00:26:00,000 Just breathe... 191 00:26:00,225 --> 00:26:02,794 Help! 192 00:26:05,163 --> 00:26:09,935 (gasping) It's coming. Coming. 193 00:26:16,408 --> 00:26:21,613 (low growl) (panting): Is she okay? 194 00:26:22,647 --> 00:26:24,916 (panting) (low growling) (panting) (low growling) 195 00:26:42,267 --> 00:26:59,084 Hello, little one. Esther, uh, you should, uh... Let's go. You-you-you need a doctor. Welcome to the world, little one. Welcome. I should get back. Something's really... just not right here. Do you want to hold her? 196 00:27:08,026 --> 00:27:10,028 Spit. And wipe your mouth. Do we really have to... go to school tomorrow? 197 00:27:10,028 --> 00:27:22,040 Don't do it on the bedsheet. Yes, of course you have to go to school. (overlapping chatter) Yes, of course you have to go to school. (overlapping chatter) Here we go, here we go. Up into bed, monsters. I think there's a holiday. No, there's no holiday tomorrow. Yes, there is. It's called Daddy's Day. No, there's no holiday tomorrow. Yes, there is. It's called Daddy's Day. Okay, yeah, Daddy's Day means you go to school. That's what Daddy's... No. What is this? 198 00:27:22,040 --> 00:27:27,912 We need to spend time with you, Dad. I thought we'd outgrown the bedwetting. It's in case he comes back. He who? 199 00:27:27,979 --> 00:27:29,848 The monster in my bed. Oh, what? 200 00:27:29,848 --> 00:27:30,000 LILA: He's in Mom's dreams, too. Oh, what? 201 00:27:30,000 --> 00:27:44,863 LILA: He's in Mom's dreams, too. I've heard her call him George. Mommy showed us he's fake, but it's just in case he ever comes back. Not coming back. Oh, that's nothing. Just wait until we tell you about Halloween. Like, there was this girl with a mask, and we almost buried Laura alive. Oh, yeah. You should've been there. What? 202 00:27:44,929 --> 00:27:47,465 (overlapping chatter) She, like, buried me in this big hole, and it was so... What? 203 00:27:47,465 --> 00:27:48,000 Oh, my gosh. We should play the game. What? 204 00:27:48,000 --> 00:27:53,505 Oh, my gosh. We should play the game. You have to play! You have to play! You have to play, Dad! You don't have to play the game. Ben will play. Ben? Who's Ben? 205 00:27:53,505 --> 00:27:54,000 Oh, yeah. Ben? Who's Ben? 206 00:27:54,000 --> 00:28:09,020 Oh, yeah. Ben the Magnificent. He's awesome. He comes here, like, all the time. He's so, so funny... (overlapping chatter) He's so, so funny... (overlapping chatter) He's really nice. And he's really funny, too. Ben's around a lot. He fixes things. For Mom. LEXIS: He'll fix the game, too, next time he's here. Yeah. So what is this game? 207 00:28:09,020 --> 00:28:16,227 Oh, we have to go back into the game and say goodbye, or else the monsters will never leave. 208 00:28:17,228 --> 00:28:18,897 And where is this game? 209 00:28:18,963 --> 00:28:26,838 In Mom's closet. LILA: Um, it's an A.R. game. We got it taken away. Yeah. Okay. So we just need to go in there and, what, beat the monsters? 210 00:28:26,838 --> 00:28:32,444 GIRLS: Yeah. Well, what say we do it, Bouchard family-style? 211 00:28:32,510 --> 00:28:37,348 Yes! Let's do it! Okay! Lynn-bo, what do you think? Up to you. You want to come help? 212 00:28:37,415 --> 00:28:46,324 (mouthing) ANDY: Okay! Yes! Let's go, let's go. We're doing it. Come on. Yes! Let's go, let's go. We're doing it. Come on. (crickets chirping) Annie? 213 00:28:55,033 --> 00:29:00,905 (soft clacking) Annie? 214 00:29:04,008 --> 00:29:06,945 Annie, is that you? 215 00:29:09,013 --> 00:29:12,851 David. You escaping already? 216 00:29:12,917 --> 00:29:15,186 No, not yet. 217 00:29:16,221 --> 00:29:17,956 What are you doing? 218 00:29:18,022 --> 00:29:20,892 Uh, new painting. What do you think? 219 00:29:22,894 --> 00:29:34,506 I like it. It's not so... severe. (chuckles) I must have been in a good mood. Who's Annie? 220 00:29:34,572 --> 00:29:42,080 Uh, some friend of yours from the party. Said she was heading out here. Annie who? 221 00:29:43,114 --> 00:29:44,315 Commerce. 222 00:29:47,352 --> 00:29:49,821 Annie Commerce? 223 00:29:50,622 --> 00:29:53,024 Yes. What? 224 00:29:53,091 --> 00:29:55,226 She was in the party? 225 00:29:55,293 --> 00:29:57,829 Yeah. Why? 226 00:29:57,896 --> 00:29:59,898 What did she look like? 227 00:29:59,964 --> 00:30:06,971 (exhales) Mid-20s. Black. About this tall. Did she have scars? 228 00:30:07,038 --> 00:30:16,181 Yeah. Don't tell me you're getting ready to marry her, too. You saw one. What? 229 00:30:16,247 --> 00:30:19,384 An ancestor. What do you mean? 230 00:30:19,450 --> 00:30:33,398 Annie is part of our family. Died in 1859. She was given the last name of the ship she was transported on. Commerce. She was enslaved. 231 00:30:42,106 --> 00:31:05,096 "June the seventh, 1836. "On this day I received of Thomas Isner, "the sum of $275, for the purchase of a Negro woman "named Annie "from the ship Commerce. "23 years of age and four months. "Dark eyes. Sturdy and well-made. "Given of my hand and seal. John Bertens." 232 00:31:09,033 --> 00:31:25,650 I don't believe this. There are records of her damages. The whipping of her arms for not letting go of the baby being snatched away from her. In 1850, some Harvard doctor went down south to photograph slaves. 233 00:31:28,219 --> 00:31:32,056 This is Annie Commerce. 234 00:31:34,058 --> 00:31:36,027 Is that the woman you saw? 235 00:31:36,094 --> 00:31:40,365 I... I don't know, I... 236 00:31:48,706 --> 00:31:50,241 This...? 237 00:31:51,075 --> 00:31:55,280 The slave-owner's brand. You use this in your paintings. Yeah. 238 00:31:57,148 --> 00:32:22,307 You said this was intuitive. I lied. Why? Because I birthed you and I knew exactly what you'd say. But that seal... is mine. It's the seal of a racist who owned human beings. It's evil. It's not... It's not you that's evil. It's... It's about slavery. 239 00:32:24,175 --> 00:33:03,614 Dad, this symbol is nothing but pain. That's right. There's pain in my paintings. And in my DNA. And in yours. And in Annie's. But that's not all that I am. And not all you are. What I know is that I'm in charge of how I shoulder that weight. So I reached out and reclaimed that brand for myself. Made it my property, not the other way around. To me, that's a symbol of resilience. Of grace. Beyond all measure. 240 00:33:06,150 --> 00:33:21,666 That's just not what I see when I look at that. I leave you that room. You leave me mine. You carry your weight the way you need to carry it, and I'll carry mine my way. But what's true... is we're both gonna carry it. 241 00:33:31,676 --> 00:33:48,059 I missed you, Dad. I know. I missed you, too. Look, is this really that big of a deal? I just don't know what to make of you believing that your sister is... there. You just seem so sane. Thanks a lot. No, come on. I mean, what do you want me to do with this? 242 00:33:48,126 --> 00:33:53,464 All beliefs look weird from the outside. You believe in quantum entanglement? 243 00:33:53,531 --> 00:34:04,809 Yes, because it's proven. You have two different particles in two totally different locations, and they impact each other instantaneously, at 10,000 times the speed of light. How is that possible? 244 00:34:04,876 --> 00:34:10,547 Wait a minute. Are you seriously comparing quantum entanglement to you believing that your dead sister is grafted to your left side? 245 00:34:10,614 --> 00:34:16,821 My right side. Wow! (laughing): Wow. Okay. Shall we call it a night? 246 00:34:24,195 --> 00:34:29,833 (whimpers quietly) Okay. Uh, look. Hey, hey, hey, I'm sorry. 247 00:34:31,302 --> 00:34:34,172 You believe it, and... 248 00:34:35,706 --> 00:34:37,708 ...it's wrong for me to judge it. 249 00:34:40,445 --> 00:34:41,712 You're not just saying that? 250 00:34:45,850 --> 00:34:48,119 I'm not. 251 00:35:04,869 --> 00:35:06,437 What's wrong? 252 00:35:06,504 --> 00:35:08,606 Nothing. 253 00:35:12,410 --> 00:35:18,216 I-I, uh... I, uh... I got to go to the, uh, bathroom. 254 00:35:27,225 --> 00:35:28,826 What does it matter? 255 00:35:28,893 --> 00:35:30,294 Huh? What's the big deal? 256 00:35:30,361 --> 00:35:33,431 She's just a little nuts. What's wrong with that? 257 00:35:33,498 --> 00:35:43,641 Right? You don't have to argue about everything. (panting) Come on. It's fine. 258 00:35:58,789 --> 00:36:01,626 Hello. Who is this? 259 00:36:01,692 --> 00:36:17,942 Hey, it's Ben. Um, I-I, uh... The caller ID said "God." Oh, yes. Um, sorry. I, uh, I changed my name in your phone. Anyway, listen. I, I'm-I'm here with a, um, well... with-with a woman. The friend that Kristen was talking about? 260 00:36:18,009 --> 00:36:32,223 Yeah. She believes that a invisible woman is grafted to the side of her body. (crickets chirping) Right? Insane. 261 00:36:33,858 --> 00:36:37,929 Okay, but I really like her, so, I mean, what do I do? 262 00:36:37,995 --> 00:36:47,538 Ben, I just saw a woman who was dead 160 years. O-Okay. So, what? 263 00:36:47,605 --> 00:36:51,509 What, just... just ignore the weirdness? 264 00:36:51,576 --> 00:36:54,512 The world is weird. 265 00:36:59,550 --> 00:37:11,629 You'll have to show me what to do. Okay. You'll have to show me what to do. Okay. Okay. Don't get scared, but look up there. ANDY: Whoa! Come on. LYNN: I know. You'll get used to it. LILA: Go in Mom's room, you might find something. (overlapping excited chatter) Show him the creepy girl. 266 00:37:14,398 --> 00:37:20,371 (growling) Okay, Dad, watch out. Ho, ho, ho, ho, ho! Okay, Dad, watch out. Ho, ho, ho, ho, ho! Watch it, watch it. 267 00:37:23,507 --> 00:37:29,847 Now I see why your mom hid this stuff. You girls played this all by yourselves? Yeah, and almost beat it, too, before it just got weird. How much weirder can it get? 268 00:37:29,914 --> 00:37:34,919 Oh, you have no idea. A lot weirder. Oh, you have no idea. A lot weirder. Just wait for it. Oh, great. LYNN: Dad, through here. ANDY: Okay. Through here? 269 00:37:34,919 --> 00:37:36,000 LYNN: Mm-hmm. Through here? 270 00:37:36,000 --> 00:37:39,490 LYNN: Mm-hmm. All right. Okay. 271 00:37:40,524 --> 00:37:48,566 (screeches) Oh, come on! That's scary. Use a fireball! Fireball! Okay. H-How do I-- how...? Okay, you make a circular motion with your hand, like this. Yeah. And then, then throw it out. Yeah. And then, then throw it out. Like... that? 272 00:37:48,566 --> 00:37:54,472 Mm-hmm. Dad, hurry. He's coming, Dad, hurry. It's not working. It's not working. LYNN: It's coming closer! It's not working. It's not working. LYNN: It's coming closer! 273 00:37:56,007 --> 00:38:01,779 Oh, you know what? I need, like, a cool catchphrase. Dad, kill it! Hey, long legs. How do you like your steak? 274 00:38:01,846 --> 00:38:05,483 (hissing) Well done. 275 00:38:06,000 --> 00:38:06,000 Well done. 276 00:38:06,751 --> 00:38:11,889 That was the worst catchphrase ever. (overlapping chatter) I think I did it. I think I did it, it was pretty cool. There it is, Dad, there. 277 00:38:15,092 --> 00:38:17,294 Okay, let's go. 278 00:38:20,631 --> 00:38:22,500 What are you doing? 279 00:38:22,566 --> 00:38:23,501 Who is she? 280 00:38:23,567 --> 00:38:37,715 Rose390. She opened it up for us. Well, then, we need to close it. You have to leave it open. Oh, really? Why is that? 'Cause you won't be able to win if you close it. Okay. Then I guess we just won't win. 281 00:38:38,716 --> 00:38:41,452 (deep voice): Stop! 282 00:38:42,453 --> 00:38:46,557 Dad, she's dangerous. You know what? I think we can take her. Come up at me. 283 00:38:50,995 --> 00:38:50,995 Dad? 284 00:38:50,995 --> 00:38:54,031 It's okay. Here. Here, here, here. Here we go. 285 00:38:58,135 --> 00:39:03,741 Don't you dare! We are daring. Let's go. 286 00:39:12,149 --> 00:39:13,818 Just right here, Dad, okay. Yeah, yeah? 287 00:39:13,884 --> 00:39:13,884 Huh? 288 00:39:13,884 --> 00:39:16,020 Okay. Okay, just... 289 00:39:20,691 --> 00:39:21,959 Just "goodbye." Goodbye? 290 00:39:22,026 --> 00:39:23,761 Uh-huh, just goodbye. 291 00:39:28,032 --> 00:39:29,867 What now? 292 00:39:29,934 --> 00:39:43,380 I don't know. Good job, kiddo. Group hug! Oh, Daddy, I knew you could do it. There you go. Oh, Daddy, I knew you could do it. There you go. I missed you. Oh, God, I missed you, too. Mmm. (chuckles) 293 00:39:45,716 --> 00:39:50,988 So I'm guessing we don't tell the monsignor about the sangria. 294 00:39:51,188 --> 00:39:55,726 I could entertain him with the story about how I helped a woman give birth to a ghoul. 295 00:40:01,899 --> 00:40:04,502 That sangria was dangerous. 296 00:40:26,490 --> 00:40:29,460 This is you. Already? 297 00:40:29,527 --> 00:40:31,028 Already. 298 00:40:42,640 --> 00:40:44,108 Bye. 299 00:40:46,243 --> 00:40:54,585 Oh. Your sweatshirt. Oh, keep it. I don't want you to catch a cold on the walk home. (laughs) All five steps? 300 00:40:56,654 --> 00:40:58,789 Mm-hmm? 301 00:40:58,856 --> 00:41:02,393 Good night. Good night. Good night. 302 00:41:12,069 --> 00:41:14,772 (door opens) ANDY: Hey, stranger. 303 00:41:22,112 --> 00:41:27,785 Andy. Captioning sponsored by CBS Captioned by Media Access Group at WGBH access.wgbh.org